Chandigarh is a grand success story in the annals of modern architecture. A
revolutionary experiment which came to fruition with the juxtaposition of a
great vision that the India's first Prime Minister Pandit Jawaharla Nehru nurtured,
and the profound genius of a French architect Le Corbusier and his team.
Today Chandigarh is 114 square kilometers of invigorating aesthetics. It combines
elegant architectural forms with wide tree lined avenues, green belts and gardens
and offers a pleasant living experience to its residents and visitors.
The Concept:
Chandigarh was conceived amidst the post partition crisis. Work began on this
project in the year 1950. Pandit Nehru on his first visit to the city remarked:
"Let it be the first large expression of our creative genius flowering
on our newly earned freedom."
Undoubtedly the city has grown to symbolize Modern India and has earned for
itself, and deservedly so, the acronym of the 'City Beautiful'.
The city, with its chequered mesh of the grid-iron plan, nestles in the foothills
of the majestic Shivalik hill range in the north. Two rivulets - the Patiali
- ki - Rao and the Sukhna Choe - bound its north - west and south - west limits,
respectively. The master plan divides the city into rectangular modules called
sectors, each measuring 800 to 1,200 meters with self - sufficient shopping
complexes and other facilities.
Le Corbusier planned the city as a living organism, with the Capitol Complex
in the north representing the head, the city center the heart,
the open spaces the lungs, the network of roads as the circulatory
system, the industrial area the viscera, and the cultural and educational
belts, the intellect.
The Capitol Complex:
The Capitol Complex is Le Corbusier's most spectacular work. The magnificent
edifices, set against the Shivalik peaks, stand "as massive concrete sculptures,
representing the monumental character and authority that the complex represents.
It is the sea of the government of the States of Punjab and Haryana. It comprises
three epoch - making master - pieces : the Secretariat, the High Court and the
Legislative Assembly. Separated by large piazzas, the subtle and most evocative
grouping of these buildings is of breath - taking beauty.
And in the center stands the giant metallic sculpture of The Open Hand, the
official emblem of Chandigarh, signifying the city's credo of 'open to give,
open to receive'.
The High Court:
The law - interpreting monument was the first building to be built in the Capitol
Complex during 1951 - 1957. This structure has a double roof, projecting over
the office block like a parsol or an inverted umbrella. The magnificent outward
sweep of the upper roof is symbolic of protection and justice to the people.
The three vertical piers, rising 60 feet from the floor and painted in bright
colours, form the grand entrance to the building. A gigantic egg - crate screen
covers the building façade. On the rear walls of the court rooms, hang
the giant woolen tapestries designed by Le Corbusier.
The Secretariat:
The law - executing monument is the largest and tallest of the three edifices
in the Capitol Complex. Built during 1953-59, it is shaped like an eight - storey
concrete slab, with its distinctive brise-soleil-louvered screen of deeply
sculptured two - storey porticos in the center, housing the offices of minister.
The cafeteria rests atop the terrace like an art object, giving a spectacular
view of the city.
The Legislative Assembly:
The profile of this law - forming monument epitomizes stately grandeur. Square
in plan, with a monumental portico standings free from the main building, it
faces the High Court. The shape of the cupola is an obliquely truncated hyperbolic
paraboloid, extending well above the roof line. A pyramid covers the upper chamber
of the erstwhile bicameral system and offers an exciting counterpoint to the
cupola, lending artistic grace to the entire complex.
The Heart:
The city center is the heart of Chandigarh S activities, it comprises a District
Centre, Inter State Bus Terminus, Parade Ground, District Court etc. on one
hand, and vast business and shopping centers on the other. The 4 storey concrete
buildings house banks and offices above, while at the ground level are the shops
and show - rooms, with wide presentation where light and water play hide and
seek in the evenings.
The Living:
A major part of the visual expression of the city's architecture includes trend
settings government houses, designed by Pierre Jeanneret, Maxwell Pry and Jane
Drew. The open brick work, a regulated skyline, orderly streets, simple geometri;c
forms, undadorned surfaces and sculptural facades are some of the representative
features visible in the residential buildings. Each living area has provision
for greenery and each sector has a green belt of its own with play grounds and
gardens. All sectors have been planned as sefl - sufficient units with shopping
and community facilities.
The Circulation:
Traffic segmentation is another novel feature of the city's architecture. Le
Corbusier developed a 7 Vs system which establishes a hierarchy of traffic from
fast - moving to slow moving ranging from the arterial roads. The Vs define
major boulevards, sectors, shopping streets, neighbourhood streets, access lanes
to houses, pedestrian paths and cycle - tracks meandering through green spaces.
The Viscera:
The Master Plan has kept the Industrial Area away from the residential complex,
separated by a green belt to contain pollution. No industrial activity is allowed
inside the residential areas. To any visitor, whether Indian or foreign, it
is a relief to be saved of noise and air pollution.
The Lungs:
Three plantation and landscaping has been an integral part of the city's Master
Plan. Different types of flowering trees have been growing along the roads,
around the roads, around the parking area, around the shopping complexes, in
residential areas and open parks, to mollify the harsh climate of the region.